Category Archives: Gear Reviews

In-depth photography gear reviews from National Geographic contributing photographer Jonathan Kingston, based on real-world assignments and field testing.

PSA for Professional Photographers: fotoBiz 11 is Here

If you run a photography business and you’re not using Cradoc fotoSoftware’s fotoBiz, this post is for you.

fotoBiz just released version 11, and I wanted to take a moment to spread the word. I’ve been a user since around 2005, when I first started using it to track stock photography sales and generate invoices. Twenty years later, it’s still one of the most mission-critical pieces of software in my business.

Just last month I got a real-world reminder of why. A client I hadn’t heard from in over ten years reached out to renew a license for the second press run of a book that had used one of my images on the cover. Because fotoBiz had tracked the original license from the beginning, I was able to pull up the previous terms and fees in minutes, put together a quote for the re-use, and send it off without missing a beat. Without it, I would have been spinning my wheels trying to reconstruct a transaction from a decade ago.

That’s what fotoBiz actually does in practice: it handles my contact management, generates image usage licenses, tracks payments, and helps me build assignment estimates that I can then convert into invoices. It also includes a surprisingly robust built-in business coach that covers the real-world situations photographers run into, including how to negotiate, what to consider when a client wants to buy out my rights entirely, and what steps to take if my images are used without permission. I still use the coach today.

The other thing worth highlighting is that fotoBiz 11 includes fotoquote 8, which has long been the industry standard for photography pricing. If you’ve ever agonized over what to charge for a particular use, fotoquote takes the guesswork out of it.

Whether you’re a seasoned pro or just starting to formalize your photo business, this is software worth a serious look. The business side of photography can feel overwhelming, and fotoBiz does a genuinely good job of helping me stay organized and get paid fairly.

You can learn more at 
https://www.cradocfotosoftware.com/fotobiz/
and purchase a license here
https://www.cradocfotosoftware.com/store/

Unboxing of Aquadive Bathysphere 100 GMT Watch

I have been wanting an automatic dive watch for years. When my Aquadive Bathysphere 100 GMT arrived from Austria this week I felt like a grade-schooler that had just been told summer vacation was going to last an extra month.  The watch ticks all the boxes I have been considering, namely: automatic swiss movement, ceramic bezel, scratch resistant sapphire, a classic diver look and of course waterproof to some insane depth.  This guy drips of industrial design that harks back to iconic dive watches of yore like the Doxa.  Designed in America, milled in Germany and movement from Switzerland… if that doesn’t sound like a match made in heaven, I don’t know what is.

Watch the unboxing below…

Designed in America, milled in Germany, Swiss movement… a match made in heaven.

Unboxing the Nauticam NA-D850

Stoked to get a new tool in the tool chest this week!  It is the first underwater housing I have owned that has a anti reflection optical glass dome – which should solve may of the flare problems when shooting underwater.  Will be kicking the tires soon on a grant for the National Geographic Society grant with Dr Chris Horrell.

Thanks to the great crew at Reef Photo & Video who help set me up with the kit. First impressions from the unboxing below!

Think Tank Photo Speed Racer V2.0 Review

The reason my Domke F2 is gathering dust

When I started my career in photography – like so many photographers before me – I began the search for the perfect photo bag.  Sadly, after nearly 20 years in the field, I can definitively say that the perfect photo bag does not exist.  The good news?  Perfect bags do exist for specific tasks.

For many, many years my bag of choice for photojournalism and documentary work was the Domke F-2. It’s Zen-like minimalism allowed me to carry many lenses in an extremely compact space. It also looks cool – like a bag I could imagine Robert Capa hauling around the battlefields of World War II.  I love the way the thick cotton canvas molds to my body over time.  Sadly, my camera does not fit into the Domke with its 80-200mm f2.8 lens attached.  This is the Domke’s Achilles heel.

The solution: A taller bag

Think Tank Photo Speed Racer V2.0 next to Nikon with 80-400mm attached. As you can see, the bag is just tall enough to fit the lens.

Top view of the Think Tank Photo Speed Racer V2.0 next to Nikon with 80-400mm attached. As you can see, the bag is just tall enough to fit the lens.

Thank Tank Photo has solved this problem with Speed Racer V2.0. Contrary to what Think Tank advertises on their website —  my camera fits in the V2.0 with either the 80-200mm f2.8, or the 80-400mm f4-5.6 attached!  Throw in the luxury of a hip belt to take the weight off my shoulders, a top-access-zip for quick lens changes, a ingenious (optional) lens switch case, and it is no surprise that my Domke F-2 has been gathering dust.

A few moons ago I was riding in the bow of a small zodiac on my way to shore in the Galapagos when a wave of salt water washed over the bow – and over my bag.  Thanks to the rain cover and the water repellent nylon on my Speed Racer, my camera stayed bone-dry.  A feat my brave old Domke could not have accomplished.

The Domke F-2 will always hold a special place in my heart, but for photojournalism and documentary work that requires me to be quick on my feet, the Speed Racer V2.0 is my bag of choice.

My basic documentary travel kit. Think Tank Photo Speed Racer V2.0 with add-on pouch. Nikon DSLR, 17-35mm f2.8, 28-70mm f2.8, 80-200mm f2.8, phone, hat, water bottle, passport, extra battery, select filters.

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Use Zacuto, Manfrotto and Arca-style heads without changing your camera’s base plate

The Problem

When I began shooting video more regularly, it did not take me long to figure out that in order to get smooth shots I needed a fluid head for my tripod and a shoulder mount for ‘run ‘n’ gun’ situations. The fluid head I am currently using is the Manfrotto 502 (HERE) and my shoulder mount of choice is the Zacuto Marauder (HERE). Two things that slow me down when switching from video to stills (or vice versa) are changing the tripod heads (which I found a solution for HERE) and re-mounting the camera to the various base plates for every system. For still photography, I have been using Arca style base plates for over a decade, and figured there must be a way to adapt the Zacuto and Manfrotto camera mounts to the Arca-style plate on my camera.

There is… Continue reading Use Zacuto, Manfrotto and Arca-style heads without changing your camera’s base plate →

How to use the same tripod for video and stills

The Problem

I shoot both stills and video which often requires me too carry both a fluid head and a ballhead in the field.  Not wanting to carry two tripods, I very quickly realized that it took far too much time and frustration to swap the fluid head for the ballhead under any sort of time pressure (as is often the case in the field) and guessed there had to be a better way.

The Solution

I have always been a fan of Really Right Stuff’s products.  They are the photographic gear equivalent of a high-end german car – engineered to perfection.  As soon as I realized my problem swapping tripod heads in the field, I began combing their product lineup for some ideas.  What I found is a solution so elegant, I wanted to share it.   Continue reading How to use the same tripod for video and stills →

The Ultimate Bag for Adventure Photography?

Overview

Just under a year ago, I received a call from my friend Dewitt Jones telling me I needed to check out this cool new camera bag he was using.  “It was made for you!” he exclaimed.   The bag Dewitt was referring to was the new MindShift rotation 180 Professional and anything that Dewitt takes the trouble to give me a call about, I take seriously.

I have been kicking the tires on my new rotation 180 pro for the last week and am thoroughly impressed.  I would venture to say it is the greatest leap forward in camera bag technology since the Domke F2.

Here is why…
Continue reading The Ultimate Bag for Adventure Photography? →